Conextualizing Homebody/Kabul Essay -- Essays Papers

Conextualizing homebody/KabulIn the aftermath of the bombing of the Twin Towers on kinsfolk 11 th, Tony Kushners Homebody/Kabul has received remarkable acclaim from its opening in New York City in December of 2001. Written before September 11th, before we began bombing, Kushners play is a startling look into Kabul, Afghanistan, a humanness once ruled by sharia hudud and suppressed by poverty, violence and the worlds apathy (Homebody/Kabul 144). It chronicles the tosh of one middle-aged British woman, the Homebody, and her life-changing encounter with an Afghan refugee in an result shop in London, her subsequent flight to and disputed death in Kabul, and the stories of her daughter and husband who travel to Kabul to recover her. Brushed with begrimed humor and realism, this play offers a haunting glimmer of the ignorance the West to destroyed countries of this world. The Homebody only appears for the opening monologue, an excerpt of which I have selected to perform, besides he r character sets the plot for this entire award winning drama. throughout her monologue, her reference is lyrical, loquacious to the point of being ridiculous, and in moments, magnificently contrived to get off connections between her life and the sorrow of others. As the play opens, she is seated in an armchair on stage, a guidebook to Afghanistan in her lap, which she proceeds to read aloud, interrupting herself with suntan thoughts that spiral and twist away from any tangible organization of ideas, pull through that of relying the story of the man in the hat shop and the imaginary world she creates from this encounter. The excerpt I have selected is remarkable for the gravity of feeling the Homebody relates, and the sensitivity she exhibits, empathizing with ... ...bombs rendered them. In preparing the delivery this monologue, I have learned such(prenominal) about Islamic extremism and my cause ignorance of the suffering of the Afghan people, women in particular. As an av id advocate of reading and writing for every person, I nominate the restrictions placed on Muslim women in particular to be hideous. Through this drama, I have learned that extremists of a faith to not relieve oneself the spirit of a faith, and that Islam is a religion as equally misinterpreted by the public as Christianity is today. Wherever people are permitted to let their own political and cultural philosophies override the truth and tradition of sacred scripture, at that place is a crookedness of reality Afghanistan was one such nation, and its pain render in this play is real and running with living blood today. I hope to do justice to this depiction in the delivery of my monologue.