Baroque Oratorio

Oratorio, which literally means hall for prayer, purely refers to the musical setting usually pertaining to worship having a falsehoodline. Usually, the text or story is based on religious books such(prenominal) as bibles. It is like an opera damaging the scenery, costumes and actions, but has a lot of recitative. In addition to this, at some time, the forms and styles that is deliver in the oratorio is almost more or less accurate than that of the opera and focuses greatly on chorus (Boynick, 1996, February 1).Handels Hallelujah chorus from his oratorio The Messiah features elements such as basso continuo, homophony, combined instrumental-vocal forms, and a pleasant harmony. basso continuo refers to the sustaining of either the bass or and the keyboard instrument. This would result to the development of a regular accompaniment. Furthermore, this is notated with a new music short letter system. Homophony refers to the use of one melodic part while being accompanied by in struments. Handel used a musical proficiency called the text-painting.It is a technique wherein the melody mimics its lyrics. mellisonant cycle per second can be discover in Hallelujah Chorus. The rhythm unploughed changing wherein the word hallelujah was sung in so many different ways. The rhythm of the piece in macro- and microbeats is Bah- hike Bum Bah Bah-Bah Bum Bah (Runfola and Taggart, 2005). Handels Hallelujah Chorus is still universal nowadays because it is often heard in churches. In addition to this, Handels Hallelujah Chorus continues to change or adapt with the generation.There be variations of this piece that becomes familiar to everybody, especially those who be really religious. The piece is also fascinate that it states a story from the bible in a way that excites the audience. References Boynick, M. (February 1, 1996, October 10, 2000). Musical Forms Oratorio. The grove Concise Dictionary of Music Retrieved February 3, 2008, from http//w3. rz-berlin. mpg. de/cmp/g_oratorio. hypertext mark-up language Runfola, M. , & Taggart, C. C. (2005). The Development and Practical operation of Music Learning Theory. USA GIA Publications.